with Zinadelphia
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The Capitol Theatre
The Teskey Brothers:
Over the past 10 years Sam and Josh Teskey, known around the world as The Teskey Brothers, have captured the hearts of many, reaching the kind of global success a blues band out of Melbourne could only have dreamed of. Across three studio albums, their soul-soaked spin on rock, folk and blues has struck an undeniable chord with music lovers around the world. 2023’s The Winding Way being no exception, landing at #1 on the ARIA album chart with 4 nominations and a win, receiving Best Album and critical acclaim across the globe. For the majority of 2023 and 2024, they’ve played sold out headline shows across North America, Europe and the UK (including a notable 17,000 in Amsterdam and 15,000 in London), iconic festivals such as Glastonbury, Electric Picnic, Montreux Jazz, Merlefest, Austin City Limits, and even opened for Bruce Springsteen in Milan. Early 2025 will see the brothers embark on an exciting run of shows; firstly on home shores for A Day On The Green, and then onwards for a much anticipated return to New Zealand. With yet more dates coming up with Nathaniel Rateliff & The Night Sweats in North America and even to be announced around the world, The Teskey Brothers -along with their full 7-piece band- are a rare and mesmerising experience which is simply not to be missed. 125%
Zinadelphia:
With a sound that blends the best of the past and present, Zinadelphia crafts timeless, colorful songs that play the long game.
Following a successful trio of singles, Zinadelphia released her debut Lucky EP in 2023, and began touring as support for artists who are equally as audacious: Medium Build, Teddy Swims and most recently, Tori Kelly. “It’s the most fun I’ve had in my whole life,” she describes. She built her audience organically, performing cross-country for the first time and captivating new fans with her singular voice and charm.
Entering 2024, Zinadelphia brought together writer-producers Leroy Clampitt and Gabe Goodman, working out of LA together to create a sound that is everything she’s always wanted. “I’m very much a maximalist,” she explains. “I wanted to dip into an old Hollywood feel, almost Burlesque-like.” This aesthetic, combined with her love of 60s and 70s icons like The Supremes, Gloria Gaynor, and Tammi Terrell, birthed songs that feel reminiscent of those decades, while still being grounded in the present. Her next single, “Love Over Glory,” encapsulates the power that Zinadelphia has always possessed, now on full display. She strives to be realistic, rather than aspirational, about her struggles, contrasting darker themes with high energy tempos. Referencing disco motifs with bombastic horns, funk basslines and a four-on-the-floor beat, the single sets the stage for a new era to come: “It’s the most me I’ve ever felt.”
Zinadelphia embraces life’s “ugly truths” through her songwriting, using music as an outlet to process new experiences and express herself. She captures the highs and lows of womanhood, marrying vintage aesthetics with a fresh and exciting perspective.
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